Creative Industry – Hybrid Flowers

As I write this, we are still in lockdown but I love the idea that at some point, in the not too distant future, I will be able to look back at this blog with a sigh of relief that it is over and that a new normal has been established.

For this ‘new normal’, my current self has been, well, reimagined: I am now an absolute pro at Instagram Live, proficiently creating Oscar worthy videos on social media in ten minutes flat. I saunter down the street with a newfound appreciation for freedom, feeling nothing but love towards my fellow citizens. I meet up with new industry friends introduced to me via the medium of YouTube and InstaLives. My hair is stunning, my nails perfectly manicured, and my abs… well, let’s just say, all those workouts with Joe Wicks have had the desired effect.

The Real World

Of course, that is a complete fantasy, we have a long way to go before we can safely say that this is over – if indeed we ever can. And whilst we are still in lockdown, it is, of course, the scientists, doctors, health professionals, policy makers, food suppliers and civil servants (to name but a few) who are out there working; undoubtedly feeling the pressure to both do their job and keep themselves and their nearest and dearest safe.

As florists, it won’t surprise you to learn that we aren’t considered in any way to be “key workers”, but still, like many others, we are trying to ‘do the right thing’. We have battened down the hatches and are keeping indoors. We are also feeling a bit guilty that we cannot be more useful.

Lockdown and Learning

When we were required to close the Hybrid studio in March, we needed to do something with the flowers we had left in stock and so we brought them home with no real plan for their future other than to give them away to people who we felt most deserved them. I consider myself a bit of a ‘creative introvert’ and struggle at the best of times to put myself centre stage, however after a chat with a marketing friend, Keren Lerner at Top Left Design on a Zoom call, she convinced me to bite the bullet and make a video of what we did with the flowers. So, I did (it can be found here…) and, actually, it was fun! Since then, I have encouraged others to do similar and have participated in InstaLive interviews and ‘how to’ videos.

We have seen lots of amazing initiatives within the creative industry where people have used their talent and skills to keep others entertained and enthralled; dance classes, art demos, book readings, the fabulous “One World: Together at Home” virtual concert, organised by Global Citizen. And for those of us whose creative yearning is greater than their desire to keep out of the limelight, there is unique potential here to be creative on your own terms.

I am willing to bet that those creative people who have stayed home have tried at least one new thing to keep themselves inspired and entertained and have probably shared it by the medium of the internet. We have given it a good ‘go’ and this, we think, is good for the soul. In our house we have become great fans of Channel 4’s Grayson’s Art Club with artist Grayson Perry encouraging viewers to paint whilst challenging them to do something out of their comfort zone. Perry believes that ‘art can help us get through this crisis’ and that ‘creativity is a way of dealing with what’s going on in your life’ and we wholeheartedly agree.

During lockdown many of us have gone back to activities we used to love as kids. We have got creative with the items we have had to hand and completely embraced the idea that nothing needs to be polished and infinitely orchestrated so long as you have made a bit of an effort! But I have to admit that one of the best things about the programme is that we get a glimpse inside Grayson’s art studio…

Having a Peek!

Come to think of it we would never have had this candid peek in to these homes of people on TV before lockdown?! I’m pretty sure we are all fascinated by the live interviews on our screens that give us an insight into people’s real-life homes!

Sometimes I have to ask myself: am I watching this for what the person has to say, or because I can have a nose at what’s on the person’s bookshelf? A layer of mystery has been removed and we can see people in a new way. And for that matter we are even seeing our friends, clients and work colleagues in a new way whenever we have a Skype or Zoom call with them.

When the country first went into lockdown, Hybrid set up a WhatsApp group for our team and other floral friends and called it “Let Hope Bloom” (which has been the #slogan for the flower industry throughout the pandemic). Every day since we have shared creative ideas and images of our surroundings with each other, sending photos of nature waking up across London and the Home Counties. We have documented the rise and fall of daffodils and tulips, witnessed the stunning varieties of blousy blossom on London streets (the best place to see blossom is on a suburban street!), bluebells, lilac and clematis. We are now onto poppies, peonies and roses and each day, we admire these and share them with each other. I don’t think that we appreciated British flowers in quite the same way as we do now.

And yes in ‘old normal’ times we would spend every day with each other, completely accepting of each other’s skills and talents as florists but somehow through or our WhatsApp group we have become even more creative and got to know each other even better. We have been making things to please ourselves and sharing these (and our other talents and skills) with pictures from our own homes. And we have become so much closer as a result.

Working from home, with my children off school isn’t always easy! But immersing myself in my children’s world has provided much needed escapism! We have painted images of flowers, made floral headdresses, decorated hula hoops, filled jam jars with wildflowers, painted Easter eggs and made paper flowers (not that you require children to do any of these things!) We have rediscovered hobbies from yester-year and taught ourselves new things too.

It’s all about connecting

So, whilst we may be feeling guilty and sad that we are not in our studio right now we know we are doing the right thing. We are staying home and finding new and exciting ways to communicate with the outside world. We are sharing what we are good at whilst learning new tricks too. We are thankful that our minds are being kept occupied and we can share our creative take on floristry from the comfort of our own home.

If you have any questions you’d like to ask about arranging flowers, floristry in general or the industry, we would love to hear from you. Please also share any pictures you may have of flowers you have grown or arrangements you have created.

This month we celebrate our fifteenth birthday. In fact, we can’t quite believe that we have been creating Hybrid floral designs in this amazing city of ours for fifteen whole years! We couldn’t think of a better way to honour the occasion than to re-post an interview our Caroline gave to Christchurch Creative earlier this year.

When the lifestyle and interiors journalists asked us to take part in their famous ‘15 minutes with…’ piece we were overwhelmed. Not only does their Style & Decor blog celebrate floral design, they also cover the creative industry as a whole, featuring some of the UK’s most successful independent furniture, interior and fashion designers, photographers, bloggers, stylists and retailers. To be one of their chosen few has certainly been one of our highlights!

So here it is, the past 15 years in the UK’s creative world, condensed into 15 minutes….

15 mins with…Caroline Ball of Hybrid florists

We catch up with Caroline Ball, co-founder of one of London’s leading florists, Hybrid Flowers, who created the florals for the St Paul’s Cathedral wedding of TV presenter Ade Adepitan and singer-songwriter ‘Elle Exxe’ last year. In this exclusive interview, Caroline reveals her favourite seasons for flowers, the latest floral trends and more here:

Tell us a bit about yourself and the team?

After studying Communication and Animation at Goldsmiths College, I was unsure of my next step. I thought it very unlikely that I would be paid to stand in gardens all day painting flowers. So I took a job working for a florist on Fulham Road. It didn’t take me long to realise that this was true happiness.

I could never wait to see the results of my work. However, in floristry, impatience is a perfect attribute as the flowers will not wait for you! You must make something beautiful quickly, before they die.

Whilst working in London, I kept bumping into this extravagant mad (and highly talented!) guy, Alan Simpson. He then become my best friend and business partner. Together, we started Hybrid and now employ 14 people from around the globe.

How and when did you set up Hybrid?

Call it “youthful optimism” but in my 20’s I decided I only needed few pounds a week to live on. So, with little to lose, I began my own corporate contracts for offices. Back then, I didn’t even have a driving license!

At the same time, Alan was asked by a gorgeous Anglo-Italian couple if he could create their wedding flowers. In fact, they were struggling to find someone who would work between Christmas and New Year. He conscripted me and together we worked non-stop over Christmas. So we created the most amazing Art Deco-inspired glamorous ‘Italian meets East End’ wedding in the Park Lane Hotel.

Following on from this success, I somehow convinced Alan that he didn’t need much money to live on either and he should come and work with me! He agreed (phew!) and, in 2004, Hybrid was launched. We have never looked back.

How would you summarise the work you do?

Alan and I are proud to be one of London’s top flower companies. In addition, it’s a great privilege to create beautiful arrangements for an astounding array of events, parties, weddings, hotels and offices.

Our team is magnificent; their knowledge, training and unique perspectives challenge and inspire us every day. Our work is custom-designed to the client; one day, we may create wedding flowers in Holland Park. Then the next day, a huge reception piece for a large bank in Canary Wharf.

Where are you based?

Nestled in the railway arches of London’s Vauxhall, our flower studio is the florist’s nirvana: space for props, vases and work benches; a cool temperature that flowers love and a creative office space for client meetings and team brainstorming. What’s more, it’s just a stone’s throw from our favourite suppliers at the Flower Market.

What types of floral arrangements do you make?

We turn our hands to making anything. Once, a client called to ask if we could create a laurel chaplet (like Olympians are given on the podium). They had been calling florists all over, but none knew how to make one. However, we knew exactly what to do owing to our training in traditional floristry techniques.

Can you tell us about some of your recent commissions?

A few months ago we created the florals for Ade Adepitan and Elle Exxe’s wedding at St Paul’s Cathedral and Queens House, Greenwich which was covered in Hello! Magazine. It was a wonderful brief covering Ade’s background from Nigeria and Elle’s Scottish roots. We could use any flowers as long as they clashed!

Recently, we created the table centres for Brockman’s Gin. These featured beautiful deep coloured black branches strung with candlelight, decorated with rich red foliages and our current favourite: beautifully patterned begonia leaves.

We also design and install Christmas décor for hotels and work with the most amazing festive colour schemes. Last year’s favourites were nude colours with caramel, apricot and silver.

How does a commission for a wedding or event vary from a corporate commission?

For weddings, most people have poured a lot of time and thought into planning this once in a lifetime event. We keep this understanding at the forefront of our minds and help our clients find the best way to achieve their dreams whilst keeping within their budget. Our aim is to be realistic and creative in equal measures.

For a corporate commission, the idea is for florists to use flowers to represent a brand or identity. But, more and more, an amazing corporate event is all about creating truly memorable experiences for the guest in which they may be transported to another world.

Do you have a favourite type of project to work on?

We love working on events which have a quirky element. Often our clients spend hours planning a major annual event and conjure up the most amazing brief. We love discussing their and our ideas and creating sample designs for them to view. It helps when the event is held at a amazing venue as we are then given access to view the most amazing spaces from behind the scenes.

Tell us about some of the buildings you have dressed?

As London florists, we have dressed many iconic buildings: from Parliament, The London Eye, The Gherkin, Tower Bridge, The Shard, Shakespeare’s’ Globe, Canary Wharf and anywhere in between. Our work has included dressing strip clubs in Soho, hotels on Park Lane, Castles in the country side and boats on the Thames. We are also on the suppliers list for The British Museum, the Museum of London, Queen’s House, Cutty Sark, Merchant Taylor’s Hall, The Royal Observatory. We will always be proud to be a floral supplier to St Paul’s Cathedral which, for us, is the most iconic building in London.

What are your favourite flowers to work with?

Honestly, we do not have favourites. Each flower has natural qualities that can be used to create something amazing. Some flowers are easier to work with than others. Some are perfect for long lasting installations whilst others are wonderful for an instant ‘wow’ factor.

Roses, if opened to perfection, will always look stunning. However, our studio will particularly appreciate any flower which appears delicate whilst having longevity!

How many different types of flowers do you work with?

On any given day, our suppliers have access to thousands of varieties of flowers from all over the world. Ecuadorian roses are stunning, Italian agapanthus are massive and British sweet peas are divine. As leading florists, we are constantly on the lookout for new varieties in unique colour combinations or shapes. Last year, we worked with the cymbidium growers Cy More Flavour and Marrewijk Amaryllis growers in Holland. It was so fascinating to hear all about the passion these family businesses put into creating new breeds of flowers.

What is your favourite season for flowers?

We love either early or late summer. Early summer brings the most beautiful fresh foliage and seeing fresh buds gives us the feeling of anticipation and joy – there is a reason that Chelsea Flower Show is in May. The colour of flowers becomes more intense in late summer: dahlias and chrysanthemums look like they’ve stored up the warmth of the summer sun in their petals, which are deep and rich. It is possible to source most flowers all year round. But, if they’re out of season, they can be expensive and never seem as vibrant and flavoursome (strawberries in February anyone?).

What is your preferred colour combination?

Some flowers look great on their own in a vase. For example, a big bundle of blue iris in bright, daylight-filled room can look stunning. However, sometimes you can create the most amazing combinations of colours by spotting a tiny fleck of colour in the throat of, say, an orchid, and placing a colour matched flower or leaf next to it that will really bring that out.

Which projects do you have in 2019?

We have some really exciting projects on the horizon. One in particular is a ‘Sustainability’ event showcasing planted elements, recycled containers and locally grown flowers combined with a fantastically kitsch leaf motif.

Any floral trends we should look out for this year?

People are becoming more and more aware that flowers, plants and foliages can be used to create a vibe, feeling or atmosphere – think more ‘installation’ than flowers in a vase.
Be on the lookout for dried flowers, quirky grasses, funky plants; there is nothing off limits and there never will be!

Where do you get your inspiration?

Often our aim is to recreate the great outdoors, inside. Perhaps a client’s childhood memory of a calm woodland filled with bluebells. It is so often about nostalgia. We also get our inspiration from other creative industries such as architecture, interior and graphic design and other iconic eras from history.

Do you have any top tips for wannabe florists?

We recommend finding out what being a florist is really like and being open to hearing the bad stuff. Floristry College is one option as is work experience: both training and experience are essential to getting a foot in the door. Many people only want to be events florists but you can’t only be a party florist without knowing how to do the less glamorous things.

Search the internet for blogs and articles on floristry or speak to local florists. When people say it is hard work, it is really, really hard work. Back-breaking, hand-ruining sleep-depriving and stress-inducing. There are no short-cuts, but if you’ve still not been put off, enroll in a floristry course that will give you work experience too. Choose a good course that will teach you the boring bits too. You need to know it.

….Spring 2019

So that’s it. Fifteen years in 15 minutes from the perspective of our Caroline. We cannot quite work out the precise date of our 15th Birthday (as how do you mark the very beginning of something any way?) but all we can say is that sometime in March 2004, all those years ago we started on our journey. We met some amazing people in that time and built the best network of wonderfully talented and dedicated people from suppliers, clients and florists who have come together over the years to make our little world go round…. here’s to the next 15!